Γρίφος

• participation and withdrawal as simultaneous modes of existence today;
• embodiment and disembodiment, and their mutual dependency;
• rootedness and homelessness, as a dual condition of subjecthood;
• proximity and distance, and their relativity;
• collapse and recovery, occurring simultaneously as well as in succession;
• the flood of uncontrolled information and the contemporaneous obsession with control and organization;
• translation and untranslatability, and their negotiation;
• inclusion and exclusion, and their connectedness;
• access and inaccessibility, and their co-existence;
• the obsolescence of a Eurocentric notion of art and the paradoxical emergence of practices related to that same notion in the world at large today;
• human life and other forms of life facing multi-species entangled histories;
• advanced science/technology and its alliance with ancient traditions;
• tangible and intangible heritage and their interconnectedness with contemporary culture;
• the specificity of being an artist and the non-specificity of artistic practice.